So I did all this work…

I had this idea that since so many people are spending time on their computers and not buying prints maybe they just don’t have room for art, and it is time to try selling desktop formatted art…

So I spent all this time doing these images that are back to my astronomical roots, because I also wanted to do art I love, you know – “Art for Art’s Sake.” I then reformatted them for a variety of screen sizes and resolutions. This project has been cooking for the last two months. I had to be careful and brand them in a way that would be gentle, not ruin the compositions, yet “watermark” the work so it was obvious who made them if they wound up being spread online – so it was not too big of a “give-away.” I had to make sure the resolution was high enough to look good on the larger screens people have, but not so easy to print well… all of the concerns any artist has about their work these days now that anyone with Photoshop can enlarge an image and print it off.

So I did all this work and started to tell folks about this cool new line of images I created. I was promptly reminded that people don’t actually PAY for screen images anymore because there is so much available on the web for “free.” The very thing I was trying to avoid – giving away my skill, talent and time, is the very thing that is preventing me from selling my work: anyone with a computer just thinks all art is “free” these days… and why should they pay when it is all just out there for the taking?

Why, indeed?

The skill of an artist is no longer valued, period. This holds true for writers and musicians as well. People just want their music to be free and downloadable. People don’t want to actually BUY books anymore. It is a sad state of affairs, but here we are: the death of the artist. And it is all due to a culture of giveaways which is permeated with media from huge corporate sources. The individual is lost. I’s about selling the machine and not the content, which is ultimately just an ad for selling something else.

I suppose one has to either swim or drown, so here goes…

If you read this… here is what I created:

wpid-Bentley-DT-bigger-2011-12-4-10-391.jpg

This is what I was going to offer.

I love these, they look fabulous and I am using them on my own desktop… AND I wanted others to be able to enjoy them…

But I cannot create work without compensation any more than you can spend your time going into work and not get paid. THIS IS my job. I do this for work. I need to get paid because I have bills too. Just like you.

So, this is what you will be missing… unless you buy my calendars. Here’s the deal: If you buy 2 or more calendars (make that 2 or more items in our store – not the Zazzle store), when you buy them tell me in the notes during purchase what size you want and I will email a link via SendStuffNow, to download them in a zip file. Here are the available sizes designated by pixel/ratio/standard/fits (chose one; you can indicate by number):

  1. 1024 x 768 – 4:3 standard (std.) XVGA – fits: 12, 13.3, 14, 15, and 17″ monitors
  2. 1600 x 1200 – 4:3 std. UXGA – fits: 14, 15, 16, 20.1 and 21.3″ monitors
  3. 1280 x 1024 – 5:4 std. SXGA – fits: 14, 15, 15.7, 17, 18 and 19″ monitors
  4. 1600 x 900 – 16:9 widescreen (w.s.) WSXGA – fits 20″ monitors
  5. 1928 x 1080 – 16:9 w.s. HD 1080 – fits: 21.5, 22, 23, 24 and 27″ monitors
  6. 1280 x 800 – 16:10 w.s. WXGA – fits: 13.3, 14.1, 15.4, 21.1, and 23″ monitors
  7. 1680 x 1050 – 16:10 w.s. WSXGA+ – fits: 19, 20, 21 and 22 monitors
  8. 1920 x 1200 – 16:10 w.s. WUXGA – 22.2, 23, 24, and 27 monitors

If you have trouble figuring it out, send me your monitor or notebook (many laptops are an odd size) and I will look it up and send you whatever is the closest native resolution. Please tell me both the make and model numbers.

If I sell all my calendars this year, I will make these into the 2013 calendar. If I don’t, then I will likely stop making calendars too. I just can’t keep making stuff and not selling it.
I also hope I can keep selling enough cover art to keep doing art like this at all.

Happy Holidays from Atomic Fly Studios.

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3D Art and The future of DAZ Vs. Poser

As some of you may know, DAZ 3D won a very prestigious award for innovation this year for the development of their new Genesis line of figures. This has created a bit of a stir in the content purchasing circles, especially those who belong to the DAZ Platinum Club, but are committed to Poser rather than DAZ Studio as their program of choice.

I should mention that DAZ came out with DAZ Studio 4 this last summer, and Smith Micro released Poser 9 and Poser Pro 2012. DAZ went with one system of morphs for their new line (which now includes the new V5 and soon the new M5 figures), while Smith Micro went with the open source weight mapping option for the Poser versions. So far, DAZ’s Genesis does not work natively in Poser, nor visa-versa. This has caused a split (or an addition of work) for content providers. Moreover, the PC club and DAZ promoted content and Holiday/yearly sales have been pushing support of the new Genesis figures hardily, making Poser-only users a bit nervous about the direction of DAZ and their support of Poser compatible content.

I found myself concerned about this very thing, as an illustrator who relies upon inexpensive con tent to make my project work go faster. I need clear licensing on a wide variety of pre-made content (much like clip-art or stock photography and fonts), to make creating in a program like Poser, worthwhile. I looked on the forums to get a feel for where DAZ was going because I felt I had not been able to take advantage of my PC membership as well as in seasons past (this is the time of great sales; never mind that the economy sucks and I really don’t have much money to spend: the “writing” was on the wall). I was also finding myself looking more and more at alternate sources of content for sales, like Renderosity, RuntimeDNA, Content Paradise, FoRender and Poser Addicts.

So I found a thread named “Any Poser users still here?” in Members Only forum, and after skimming a lot of whining and the usual complaints mixed with a few good observations, I skipped ahead to page 13 and posted this:

“As if anyone actually cared, here are my two cents…

I have been on the monthly renewal for years – I rarely have a bulk amount to spend for the yearly… that goes into other stuff like food or upgrades.

I used to spend about $50 to $100 monthly here due to sales and such. I now spend maybe $20. I decided to go with Poser 2012 because I needed to move to a new iMac 64 bit machine and I had problems adjusting to Lion (long story short – my machine is so new the architecture will not support Snow Leopard), so I went with Poser Pro instead of Carrara (already have it, still didn’t work well in 64 bit on Mac and the learning curve is still a problem with production… must produce art, not fumble deadlines…) sigh.

The bottom line?
DAZ Studio and Genisis is a non-starter.

I have literally thousands of dollars worth of content (over 50gigs of just content), and none of it is DAZ Studio installed… so I will NEVER try to install all of the DAZ Studio versions, ever. It would take months. Not going to happen.

As DAZ sells more and more Studio only content, they will get less and less of my content dollars. I spent more at Rendo and RDNA these last 2 sale months than ever before… and way less here since the carnival/Genesis product lines started.

Now, if Poser starts supporting Genesis, then cool. I may start collecting in that direction – but I am not about to do it if it is a big pain or requires a lot of time fixing things. Or futzing with technical stuff, either. I make art – I am not a programmer or a modeler.

If this works for them, more power…yada, yada. Dollars speak as the Supreme Court has ruled. As with Apple, it is about unlimited growth and number of sales, not customer satisfaction or loyalty. Thus is our culture.

So, where do I go from here?
Well, Im not on the yearly renewal and so far there are still things I will buy. There will come a time very soon Im afraid, that I will end my PC membership because it will no longer be worth it. And yes, the economy is a big part of all of this. Well see…

-Mitch Bentley”

I rarely post much in forums, nor do I read a lot of them because my time is spent working on images and my business, but occasionally I need information, and forums are one source I use. To my surprise, Dan Farr, the president of DAZ posted a reply to me specifically:

“Mitch,

I certainly do care about your position on this. Finding a good way for all of our great customers to experience Genesis is a very high priority in our development efforts. I cannot emphasize enough that DAZ has and will continue to do whatever we can do to make that happen. Thanks for sharing your thoughts on this.

Dan”

Whoa.
I had seen that they were now working with Smith Micro to get the issue of Genesis figures compatibility with Poser resolved, but I certainly didn’t expect a direct reply from Dan in the forums. In fact, my forum conversations have always seemed short and mostly one-sided replies from me with little in the way of response from others… normally. I mean, people are busy, right? And I don’t “live” there like some folks seem to. This isn’t a hobby for me, it is part of my business, so my input is often somewhat afield for most. Needless to say, I thanked him in a response and went back to see just how much he was actually paying attention. As it turns out, he does post, though infrequently (a total of 272 at this writing), and usually as an announcement, as a general response to multiple posts in a thread, or to a specific research thread like how the Sub D scripts work in a project. What I found interesting was an earlier post in this thread, which I had missed:

“This is a very important topic and I understand the concerns expressed by the Poser customers about feeling left behind with Genesis. From the early years of creating Poser formatted content we have dreamed about the day when we could deliver something as powerful as Genesis to our customers (all of them). As many of you know the ground breaking Genesis technology was recognized by 3D World Magazine and Autodesk as the Software Innovation of the year. The only way for us to be able to something this big was for us to lead the way with technology that as a whole is not currently available in any other 3D application (yet).

Many people are referring to this as Proprietary but we have been and continue to actively reach out to other 3D application companies offering them the full information necessary to support Genesis. We reached out to Smith Micro over a year ago (while the technology was being developed) with the offer to allow them the opportunity to fully support it. We are continuing to work with them with this goal in mind and are offering any support we can to make this happen as soon a reasonably possible. We are also working with other 3D applications and expect you will see full Genesis support in other leading 3D applications over the next year (Although Poser is our #1 priority). This will provide more opportunities for 3D artists and animators then ever before. We are committed to do all that is in our power to get full support for Genesis in Poser so that you can experience the amazing flexibility and fun to use Genesis technology. Truly great things ahead.

I personally apologize in behalf of myself and DAZ that we have not communicated more with you about our desire and efforts to support Poser customers with Genesis. As many of you may notice we now have put a new link on our home page for Poser users to help lead them to products that are still very appropriate for you. Since full Genesis support in Poser has some elements requiring Smith Micros development to complete, in the meantime we are continuing our efforts to offer as much as we can through the DAZ Studio export (I realize this is not a desirable option for many of you).

On the bright side of this, I am encouraged that Genesis has created so much interest and am looking forward to the day when everyone will get the opportunity to enjoy it.

Dan Farr”

So, there you have it. My brief encounter with fame… and a little insight into what’s new in 3D stock figures. It looks like DAZ will be not only moving forward with Genesis, but also providing Smith Micro with what they need to support it. Very cool.

Cheers,
Mitch

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Apologies

I want to thank everyone who has stopped by to read my ramblings and view my work. I am afraid all of your kind comments were lost in the rebuild, and I will not be reposting the tutorial at this time. I will try to do a new one at some point, but I have many things to do before I get there.

So, apologies and thanks all around.

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Some SKS covers to whet your appetite

This one is another test… had this been a real blog post…

Some SKS work

Along the way here I have been doing my usual work for SKS Video Productions, so here is the latest…

XFC from June

Actually, the first set is an event I missed posting about: XFC. XFC is the Futaba Extreme Flight Championship which happens every year at the AMA (Academy of Model Aeronautics) and includes R/C pilots competing from all over the world. It is the most difficult shoot because we have to film every flight… not knowing who the winner, or even top 10, will be. SKS as a policy, only shoots the free-style part of the competition. The winner (spoiler alert!), goes on the front.

They start with close to 20 competitors in each of two categories, Helicopter and Airplanes; so we do a DVD of each category plus a 2-disk combo set. We do these in both standard, widescreen and Blu-Ray editions and sales are licensed to two additional distributors, Propwash Productions in Vegas and Traplet Publications in the UK. This means I have to actually provide six different covers (Heli, Plane and Combo as slimline and Blue-Ray), with 2 versions each and an additional set of the older standard style cases (in Heli and Plane), for Traplet, who doesn’t use the slimline cases, but doesn’t sell a different Blu-Ray.

Here are the basic standard (slimline) versions, Heli first:

wpid-2011-XFC-Helis-2011-11-20-10-181.jpg

Here is the Planes version:

wpid-2011-XFC-Planes-2011-11-20-10-181.jpg

…and the Como 2-disk set:

wpid-2011-XFC-Combo-2011-11-20-10-181.jpg

Layouts are their own tricky art form, and things have to be changed when ratios change. One of the most important rules about layout I ever learned, was that the spaces between things is more important than the things themselves. Good layout is all but invisible to the viewer, when it works – it is functional and appealing; but everyone knows immediately when it is awful or non-functional.

NEAT Fair from September

The Jet Wold Masters put SKS behind this year, so my covers have been released a bit later than normal. NEAT Fair is the Northeast Electric Aircraft Technology Fair and is held every year in the Catskills of New York. I have been to this event in the past, but not for a few years now. My layouts for SKS this year began to take advantage of some pre-made content that I bought from one of my favorite suppliers for this kind of graphics tools and content, Digital Juice. I popped for the bundle of 5 Graphics Designer’s Tool Kits they offer and I have been very pleased with content. It really makes my job easier and fun again, especially when faced with a blank page and the need for a theme. This is the standard set of five covers: a SKS and Propwash version in slimline and Blu-Ray, and a Traplet version in the older standard package. Below is the slimline version.

wpid-2011-NEAT-Fair-2011-11-20-10-18.jpg

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Problems and such

I was having trouble with this blog for the last month, including general weirdness and pictures not uploading correctly, but I uninstalled everything and rebuilt it from a clean install. So far, so good. I will likely not upload everything done to date, though a few are already up again. The good news, it all seems to be okay for now. Stay tuned.

The Calendars

Finally, here is an update… they are in and they look wonderful. I couldn’t be more pleased. I will be getting a new Paypal button up shortly, but I have a lot on my plate right now and this next week is Thanksgiving here in the USA, and we have family coming in from out of town. This means many delays over the next week, in terms of getting work done. Again, stay tuned.

More news soon…

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A new cover for a new publishing House

Bryan Thomas Schmidt contacted me via Facebook to ask about doing a cover. He is an author of many short stories and had finally taken the plunge into novel land. I was quite honored that he thought of me for his first. Not only that, but the publisher, Diminished Media Group, had never published a print book before, so this is to be their first as well. I am honored even more!

The book is a classically styled space opera of a young mad finding his roots, overcoming incredible odds, learning his moral code and the limits of his convictions. He is finding his place in the universe, and it is a Luke from Star Wars kind of place. Nicely done, it is actually intended to be the first in a series, and I can hardly wait to read the rest. There is an element of Christian mythos to it, which can be a bit distracting at times, but it plays well into the character development and blends nicely with the publisher’s mission. I don’t normally do Christian oriented work, but this was an opportunity to do a science fiction piece, which I truly love (and do not get enough of), and it was not overbearing; just very present – not specifically thematic.

Anyway, the publisher is happy, and the author is happy, and I am quite happy with the outcome:

wpid-Worker-Prince-full-2011-10-1-10-39.jpg

Here is a close-up of the cover for you:

wpid-Worker-Prince-front-2011-10-1-10-39.jpg

Next up:

The new 2012 Mitchell Bentley Calendar…

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More DVDs for SKS

I have recently done my last tour of duty for SKS, but despite the ending of the camera work, the DVD cover work will continue. Here is the latest we did for SKS:

wpid-2011-WBOD-2011-09-13-09-22.jpg

While Mitch did not attend Jet World Masters (a 2 week event), he did attend Warbirds Over Delaware as part of the crew.

wpid-2011-Jet-World-Masters-2011-09-13-09-22.jpg

These covers are actually done as both a standard, slimline package (pictured here), and in Blu-Ray packaging. The disc is also supplied, based on the package cover, along with 3 variations for each package style: one for SKS, one for Propwash Productions (an SKS distributor in Las Vegas), and a standard version package (not slimline) for Traplet who is the British distributor for SKS products.

Next up:

A new cover for a new publishing House

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(Repost) What I did for Cathies Summer Vacation Part Deux

So, as Cathie went to the Jersey Shore, I stayed home and fed the kittens. I also did some work…

Yard Dog Press sends me another Selina Rosen title

Although Jean Stuntz’s Alamo Zombies piece is in the works, I found myself running behind. I spoke with the Yard Doggies and they actually had a more pressing title they wanted done first, so I read and delivered another one for Selina Rosen. I love her work — it is funny, poignant and topical as well as written in a relaxed conversational style. That makes her work easy for me to read as well as enjoyable. The latest title is “How I spent the Apocalypse” and should be released in time for Archon in St. Louis. Jean’s book was pushed back, but is still in the works… I’ll keep you posted. I am quite honored to now have 2 of Salina’s titles to my credit!

wpid-HISTA-2011-11-20-11-52.jpg

This is such a cool story and each section begun with advice on how to survive an apocalypse, followed with an anecdotal story woven into the timeline of the plot. It is very nicely done.

Another Laura J. Underwood cover for Sky Warrior Books

The next one was a third cover for Sky Warrior Books — and a second for Laura J. Underwood. I began by reading the trade paperback, which was published through Meisha Merlin (now defunct), with a very nice cover by Matt Stocky, which of course was a little intimidating. Apparently I am doing good enough work to be a follow-up for the e-book. Not only that, but should the trade paperbacks be sold out, mine will be the replacement cover for the second printing through Sky Warrior. I am also extremely honored to have 2 of Laura’s titles with my art on them!

I actually did the same scene, but in my own way. The title is “Demon Attack” and I am extremely happy with the outcome. I don’t get to say that very often.

wpid-Dragons-Tongue-2011-11-20-11-52.jpg

But wait… that’s not all folks…

Next up: More DVDs for SKS

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(Repost) What I did for Cathies Summer Vacation

While Cathie went on vacation and had her own adventure (3 natural disasters in the month! A micro-burst at the beach, the Great East-coast Earthquake of 2011 and Hurricane Irene all happened over the last month), The Mitch was toiling away at his workstation, trying to meet deadlines…

First I want to give you a new link to Sky Warrior Books on Amazon — this page has a nicer layout and leads to the book descriptions/synopsis, which I hope you will find helpful.

Next on my plate was Firedancer by S. A. Blotch, another welcomed excellent story (please read the linked synopsis). While much of what I do for some publishers is of rather average quality — escape stories of beginning writers often — the books I have had the pleasure of reading for Sky Warrior Books have all been top notch. Again, this was done as a full wrap for the future possibility of hard-copy release, but I am only showing what has been delivered and finished out as a cover here.

wpid-Firedancer-2011-09-4-11-48.jpg

Next on my list was a more modernized fantasy story, Modern Sorcery by Gary Jonas. Another excellent writer with quite a following of his own, and this is an excellent example of his work. Again, you should read the synopsis the title is linked to… this guy gets his name on top!

wpid-Modern-Sorcery-2011-09-4-11-48.jpg

Next up:

2 new pieces for authors Selina Rosen & Laura J. Underwood
(What I did for Cathie’s Vacation Part Deux)

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